By the early 2000's, because of his incredible and inebriated voice, his subtlety, his sense of humor and his vulnerability, because of his style made partly of classic hip-hop, partly of Project Blowed-influenced innovations, we predicted a triumph to Awol One. But it didn't happen. The most charismatic Shape Shifter never capitalized on the buzz around Souldoubt, in 2001. He remained an unsung hero, and he never released the masterpiece we expected. On the opposite, his records would become less and less noticeable, with the exception of the very convicting Only Death can Kill he released in 2007 with Factor, the Canadian beatmaker.
