Self-released :: 2014 :: download this mixtape
The sudden promotion of the Detroit rapper had a reason: "Try Me". Such was named her defining song. Released in 2014, its success was amplified when Drake mentioned it on Instagram. On it, the frail and young lady had changed her attitude: she had become aggressive. She talked about guns, money and cocaine, and assaulting her enemies - or more exactly, turning them to some macaroni. She also shared her passion for alcohol, and she called boys "bitches" or "hoes". Also, she used a simple and heady melody, a bit like her drill music colleagues in Chicago, though she declaimed her lyrics more slowly, and on moodier sounds.
Released a few months later, Sell Sole didn't capitalize too much on that single, which was relegated to its end, in a remixed version with Remy Ma and Ty Dolla $ign. That mixtape, however, consecrated the new Deja. That one was programed for success. She collaborated with Birdman and Young Thug, on a track making allegiance to gang life – to the Bloods, more exactly. As soon as with the intense "Bird Call", Dej Loaf was an angry mobster. With "On My Own", another highlight on Sell Sole, she pretended she was her own creature. On "Grinding", she showed a hunger for success. On "Easy Love", she took full ownership of her sexuality, saying bluntly to her partner "open up your mouth, put this pussy on your face".
However, like with "Try Me", her ruthlessness was counterbalanced by some contemplative music. Dej Loaf even turned R&B on "Never", another track about her ambition, as well as with "Me U & Hennessy", about a threesome with her, her boyfriend and alcohol. And sometimes, she turned intimate again, like with "I Got It", a long grievance about the deaths of her cousin and her grandmother. On Sell Sole, at the end of day, both Def Loafs were present: the ghetto chick whose father had been killed, and whose family was for a large part imprisoned; and the shy girl who, a while ago, had escaped the harsh realities of life through her diary.