THEOPHILUS LONDON - This Charming Mixtape

There was a time when, by the end of the naughties, rap music seemed to turn into the new international pop. It was mixing more and more, indeed, with other genres like rock, or electronica. A few notorious rappers were leading the trend, like Kanye West, Kid Cudi, and later on Drake; and of course we could talk about the hit machine Black Eyed Peas, originally a pure hip-hop band, had turned into. Another man went into that direction, though in a more hipster way. With his fashion victim looks, Theophilus London, a New-Yorker of Trinidadian descent who would be actively sponsored by Kanye West, actually looked like a hipster fantasy: as a matter of fact, the 2011 edition of the Cannes Film Festival would love him.

THEOPHILUS LONDON - This Charming Mixtape

Self-released :: 2009 :: download mixtape

His second project, This Charming Mixtape, showed with clarity that many of his influences were external to rap: the title, indeed, was derived from "This Charming Man", a song from The Smiths, and the cover art from an Elvis Costello (classic) album, This Year's Model. These indicated clearly that Theophilus London was focused on one specific period: the late 70's and the 80's decade. His mixtape was full of sounds coming from these time's music: post-punk, synth pop, sophisti pop, electro rap, house music, world music, late soul, etc. He would use, for example, Glass Candy's syrupy cover of Kraftwerk's "Computer Love". Or he would provide a deconstructed version of Whitney Houston's great success, "Always Love You".

Theophilus London also liked more recent songs, like Amadou & Mariam's "Sabali", or the Crazy Cousinz's "Bongo Jam", or older ones, like Bill Withers's superb "Ain't No Sunshine", or an antic version of "Oh Happy Day". These, however, didn't change anything: even when using Lauryn Hill's "Take My Eyes Off Of You", his project always sounded inescapably 80's. This Charming Mixtape was, actually, what a mixtape had originally been: a selection, a compilation of existing tracks, more or less remixed, aimed at disclosing someone's own music pantheon. It was barely a hip-hop project, though. In reality, the only reason why it was related to this genre were Theophilius London's raps – when he did actually rap, this was not always the case – and his insistence on representing his hometown of Brooklyn.

With his neat and trim appearance, Theopholius London was a wet dream for beautiful people. When claiming his strange passion for water on "Aquamilita", he seemed to talk primarily to sushi and organic food eaters. And his mixtape looked like an ideal soundtrack for fashion shows. But whatever: the music heard in such events is still, quite often, much better than what people listen to on their casual radios; exactly like Theopholius London's selection on This Charming Mixtape.

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